Wednesday, March 2, 2011

Defending The King James Bible



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Defending The King James Bible





This study on "Defending the King James Bible--A Four-Fold Superiority--God's Word Kept Intact In English" is the product of over twenty-one years of the author's thinking, researching, writing, publishing, and speaking on this most important theme. There is no more important subject in all the Christian Faith than the BIBLE. One vital question is: Which English Bible are we to read, study, memorize, preach from, and use today? A second important question is: Which English Bible can we hold in our hands and say with great confidence, "This is the Word of God in English"? It has been the purpose of this study to answer both of the above questions by pointing to the King James Bible, proving its superiority in four areas: (1) its superior Texts; (2) its superior Translators; (3) its superior Techniques; and (4) its superior Theology. In all four of these areas, the King James Bible has no equal! The study is to be viewed as a suggestive outline of this theme rather than being in any sense exhaustive. There is really no end to this important discussion, due to the almost inexhaustible information available on it. Throughout the book, we have cited many helpful volumes for further study. We have also included (at the end of this book) a Bibliography which, at the time of publication, consisted of over 900 titles. This Bibliography lists books, tapes, videos, and other valuable materials on this theme which the reader might want to secure for his own library. More titles are being added monthly. For the latest up-to-date list of materials, we suggest you write The Bible For Today and request Brochure #1. Though much has been added to this present volume, the bulk of material contained was delivered at a seminar on the King James Bible given at Grace Baptist Church, Cortland, New York, on February 13 and 14, 1988. The original seminar is available in both five, two-hour audio cassettes and/or two video cassettes. To the original three chapters have been added Chapter V, Appendices A and B, the Index, and the Additional References. Appendix C contains thirty-nine questions and answers that were asked during the original seminars. We hope that the answers to these questions which pertain to the defense of the King James Bible might be helpful to the readers.

The New Testament Greek Textual Battleground Textus Receptus

W/H Changes in T.R. Has 140,521 Greek wds.

Changes 5,604 places in the N.T. Has 647 pp. in Greek Text

Changes include 9,970 Greek wds. Has 217 Greek wds. per page

Changes 15.4 Greek wds. per page Has 100% of the Greek wds.

Changes 7% of the Greek wds. Has all 647 pp. unchanged

Changes total 45.9 pp. in Greek text From the above chart, you can see the real Greek Textual Battleground between the Westcott and Hort Greek text and the Textus Receptus Greek text of the New Testament. You can see that the additions, subtractions, or changes include almost 10,000 Greek words! To get a picture of just how many Words are involved (if they were together in one place) consider what 10,000 English words would amount to. It would be the equivalent of either: (1) the entire book of Romans (9,447 words); or (2) the entire book of 1 Corinthians (9,489 words); or (3) the books of 2 Corinthians and Galatians (9,190 words); or (4) the books of Ephesians, Philippians, Colossians, and 1 Thessalonians (9,096 words); or (5) the books of James, 1 Peter, 2 Peter, 1 John, 2 John, 3 John, and Jude (10,088 words); or (6) the books of Colossians, 1 Thessalonians, 2 Thessalonians, 2 Timothy, Philemon, 2 Peter, 2 John, 3 John, and Jude (9,819 words). This represents the total number of Received Text Greek Words that have either been added to God's Words, subtracted from God's Words, or changed from God's Words by the Westcott and Hort Greek text. I think you will agree with me that there is much at stake in this BATTLE for our Bible! Isn't it time to CONTEND for the BOOK?!









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Tuesday, March 1, 2011

Sign up for 2009 Supplemental Revenue Assistance payments begins



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Sign up for 2009 Supplemental Revenue Assistance payments begins

John R Whitaker, State Executive Director of USDA's Iowa Farm Service Agency, announced that disaster assistance under FSA's Supplemental Revenue Assistance Program or SURE program began on January 10, 2011.

Read more on Denison Bulletin & Review







New coach stresses unity as she prepares team for successful softball season

As Clinton High School’s softball season begins, it is obvious that the team has improved a great deal. After years of under-achieving, this season could be the one where the Lady Horses step up into contention in the conference.

Read more on Sampson Independent












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Faith Under Fire: What the Middle East Conflict Has Taught Me About God



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Faith Under Fire: What the Middle East Conflict Has Taught Me About God





As the minister of St George's Anglican Church, Baghdad, Andrew White encounters daily tragedy, yet he remains a man of profound faith. Under constant threat of death, shadowed by bodyguards, he builds and encourages and loves and consoles his beleaguered congregation. In this candid book he squarely answers the questions that his circumstances force into the open. What happened to his faith, for example, when a young girl in his congregation died, after much hope and prayer? He is trusted by all sides in this tormented region, and has met the best and worst: articulate, agreeable imams and rabbis; Christian venality and dishonesty. What has kept him willing to see the best?









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Money for Nothing: A History of the Music Video from the Beatles to the White Stripes



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Money for Nothing: A History of the Music Video from the Beatles to the White Stripes



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Saul Austerlitz's fascinating book tells the history of the music video, delving into its origins, function, stars, motifs, genres, conventions and masterpieces.Picture yourself in a darkened movie theater, or soothed by the pleasing glow of a television screen. You are watching as a history of the moving image unfolds onscreen, but this history will not take note of D. W. Griffith or Jean Renoir, nor will King Kong or Jaws make an appearance. As the images flicker past - of four ebullient Britishmen turning cartwheels in an open field, a man tap-dancing on an urban sidewalk, a wedding party in a rainstorm, a tragedy in a school classroom - they wax more familiar, the theme growing more coherent, more stable. They keep coming, though, quickly, relentlessly, constantly changing form, changing style, shapeshifting. The parade of images appears to possess a logic of its own, a guiding hand to steer its ship.Finally, as the last picture fills the screen - it happens to be of a shooting on a Brooklyn street - a light bulb goes off: these are all images from music videos, the short films that once ruled the airwaves, and still possess a significant hold on the generations raised by MTV. "I wonder what those were all about," you say...The music video is a medium that appears to have run its course, or at least hit a substantial rut in its evolution. MTV and VH1 have morphed into lifestyle channels, the musical component of their programming reduced to a mere blip on their schedule. BET, CMT, and other music channels still maintain their dedication to showing music videos regularly, but their narrower audiences render them distinctly niche channels. And yet the video's shining moment as part disposable crap, part momentary, fleeting genius (the exact cinematic/televisual equivalent of the pop song, of course) renders it a subject worthy of some serious attention. Saul Austerlitz's fascinating book tells the history of the music video.Austerlitz sees the music video as a fascinating oddity, capable of packing great wit, emotion, and insight into its brief span. A compelling marker of cultural history, the video emerged onto television screens nationwide and shone gloriously for a brief moment before disappearing into the remembrance of television past. Informed, opinionated, and always entertaining, "Money for Nothing" goes a long way toward retrieving the memory of this fleeting, evanescent art-form.









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The sacred center.(Conservative Judaism): An article from: Judaism: A Quarterly Journal of Jewish Life and Thought



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The sacred center.(Conservative Judaism): An article from: Judaism: A Quarterly Journal of Jewish Life and Thought





This digital document is an article from Judaism: A Quarterly Journal of Jewish Life and Thought, published by Thomson Gale on June 22, 2005. The length of the article is 1897 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The sacred center.(Conservative Judaism)
Author: Carl M. Perkins
Publication: Judaism: A Quarterly Journal of Jewish Life and Thought (Magazine/Journal)
Date: June 22, 2005
Publisher: Thomson Gale
Volume: 54 Issue: 3-4 Page: 194(5)

Distributed by Thomson Gale









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Kabbalah : The Splendor of Judaism





Kabbalah: The Splendor of Judaism applies Kabbalah to everyday life activities such as business, pleasure, and politics. David M. Wexelman shows readers that the meaning of success in life and the way to world peace are made possible by the wisdom in the Kabbalah.









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Handbook of Spirituality for Ministers, Volume 2: Perspectives for the 21st Century



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Handbook of Spirituality for Ministers, Volume 2: Perspectives for the 21st Century





In this second volume of a popular and practical work, distinguished author Robert J. Wicks brings together some of the foremost names in the field to present what they feel are important issues in the area of spirituality at the dawn of the 21st century.

The 42 articles are divided into eight sections, each with its own introduction:

Scripture; Darkness and Hope; Spirituality and Wholeness; Spiritual Direction and Mentoring; Prayer; Group/Community/Marital Work; Homiletics, Social Thought and Liturgy; and Ministry.

Professionals, or would-be professionals in ministry, will discover knowledge, inspiration and compassion in this work that will be an indispensable addition to their library.

This extremely useful book will find an audience among: ministers, seminarians and graduate students, parish/school/diocesan staffs, and religious communities









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Norton Manual of Music Notation



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Norton Manual of Music Notation





The Norton Manual of Music Notation is designed to serve as a practical guide to music handwriting and music-writing procedures. It provides the music student with an essential tool for learning to put notes down on paper with clarity and speed. At the same time, it serves as an indispensable reference to a wide variety of notational conventions.


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Part I deals with ELEMENTS OF NOTATION, arranged in the order they are found in printed music, i.e., clefs, followed by key signatures, time signatures, etc. For each element, a model, a model is given and, where appropriate, simple drills provided.


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In part II, the ELEMENTS ARE COMBINED and the student is introduced to considerations of spacing, changes of meter, clef, and key as well as the notation of syncopation and irregular divisions of the beat.


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Part III delineates SCORING PRACTICES ranging from notating two lines of music on one staff to discussions of transposing instruments, orchestral score layouts, and the extraction of instrumental parts.


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The author provides an appendix designed for those who wish to achieve more professional results; copying tools, materials, and techniques, as well as popular-music notation are described in detail.


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George Heussenstamm is a frequently-performed composer who has prepared his own scores for years. The copying skills he developed enabled him to give very successful courses in music notation at several California universities. The present book is the practical result of his experience as a teacher and professional copyist.











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